Raising Dion truly has its foundation firmly fixed in the right place, and is telling us the right story about how to raise a hero.
You don’t owe Netflix, Hulu, Disney+ or any other company your subscription, time, or attention. There’s no cultural mandate anymore that you “have” to watch anything- if there ever was.
If you’re rich you get fancy candlelit dinners and grand speeches, if you’re poor you get to sing and dance.
Each vignette has not only its own unique style, but its own philosophy, its own universe or corner of the world.
It’s been a busy week and Optional Irony drew the short straw. Lesson of life…
Pink Christmas wastes no time at continuing and expanding on its universe and characters so effectively that this installment feels robust while leaving me wanting more.
Matt Groening Takes the Throne as a Legend of Animated TV Comedy
If you’ve been here before, you’re aware that I’ve struggled with depression and anxiety. Naturally,…
[Walter] loves getting to play Lucille, and in her own words, she’d keep doing it till the day the good Lord takes her if we let her- even in spite of Tambor. I hear that, I respect that, and it sucks that terrible/mediocre men get to benefit from it, but if Walter’s into it, as a woman with her own agency, then I won’t ignore art she’s glad to make for us.
Full review of Netflix’s The End of the F***ing World, not for everyone but still recommended.